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Criteria for Inclusion

In judging whether a recording is appropriate for inclusion in Rockin' Country Style, I try to answer two questions: First, is it rock & roll? Second, is it country (or primarily derived from country)? It is often painfully difficult to make one or both of these decisions.

The following is a list of the characteristics I have looked for in evaluating tracks. They range from strongly negative to neutral to strongly positive. Some characteristics (such as the presence of a mainstream country flipside) are only significant in the context of a recording I have already judged to be rock & roll. Other characteristics (such as piano triplets) are only significant in the context of a recording already judged to be country.

I developed this table only after having evaluated several thousand tracks. It is not a set of rules which I have tried to use in objectively scoring performances; rather, it is simply an attempt to spell out the criteria I found myself applying on an informal basis.

 

Negative

 

Positive

Characteristic

Strong

Moderate

Neutral

Moderate

Strong

Genres

Sounds like Elvis on Sun

       

X

Sounds like Carl Perkins

       

X

Sounds like Jerry Lee Lewis

       

X

Sounds like Elvis on RCA, 1956-58

       

X

Sounds like Charley Ryan's "Hot Rod Lincoln"

       

X

Sounds like Elvis on RCA, 1959+

     

X

 

Sounds like Johnny Cash on Sun

     

X

 

Sounds like Duane Eddy

     

X

 

Sounds like the Everly Brothers

     

X

 

Sounds like Conway Twitty

     

X

 

Sounds like Arkie Shilbley's "Hot Rod Race"

     

X

 

Sounds like Bill Haley

   

X

   

Sounds like Buddy Holly

   

X

   

Sounds like Carl Mann

   

X

   

Sounds like Chuck Berry

 

X

     

Sounds like Little Richard

 

X

     

Artist Characteristics

Country

       

X

Already has pertinent material included

     

X

 

Southern (non-Gulf Coast)

     

X

 

Gulf Coast

   

X

   

Non-Southern

   

X

   

Cajun

 

X

     

Hispanic

 

X

     

Black

 

X

     

Recording Characteristics

Country label or series

       

X

Nashville recording

       

X

Mainstream country flipside

       

X

Southern label

     

X

 

Custom record

     

X

 

Mainstream pop flipside

 

X

     

Post-1959 recording

 

X

     

Post-1964 recording

X

       

Material Characteristics

Cover of R&B material

       

X

Country composer or publisher

     

X

 

Rocker

     

X

 

Ballad

 

X

     

Instrumental

 

X

     

Traditional country material

 

X

     

Boogie woogie rhythm

 

X

     

Calypso or other exotic rhythm

 

X

     

Twist rhythm

 

X

     

Waltz rhythm

X

       

Vocal Characteristics

Twang in vocal

       

X

Presley-derived vocal

       

X

Exhortations by vocalist

     

X

 

Brother duet

     

X

 

Male vocal group

   

X

   

Female or mixed vocal group

X

       

Instrumental Characteristics

Lack of an instrumental break

 

X

     

Prominent electric guitar

     

X

 

Acoustic rhythm guitar

     

X

 

Steel guitar

       

X

Acoustic bass

     

X

 

Electric bass

 

X

     

Single saxophone

   

X

   

Horn other than saxophone

 

X

     

Two or more saxophones
or other horns

X

       

Jerry Lee Lewis-style piano

       

X

Piano triplets

     

X

 

Boogie woogie piano

 

X

     

Other piano

   

X

   

Fiddle

       

X

Accordian

 

X

     

Organ

X

       

Bongos

X

       


Compilation & presentation © 2000, Terry E. Gordon

This page revised on 03/16/2000

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